This method of transferring the image to the block is using the Studio Paper from McClain's. I have found from experience with the Print From Hell (see previous post) that the ink tends to spread on the wood I'm using and lines are thicker than what I've drawn, which is one of the many reasons I had so much trouble with registration on the PFH, but it works great for one color prints and especially for Western style printmaking.
So, here we go with the image having been scanned and printed via ink jet printer onto the Studio Paper and placed face down on the block:
The ink will stay wet long enough for you to dink about taking photos, etc., so no need to be in a hurry. However, don't go out for a beer - there isn't enough time for that right now.
Here's the tricky part:
And: here is the result using the hand only:
That's not too bad, and certainly clear enough for my purposes on this print.
And, here we are: all ready to start carving - tomorrow. Times up for today. Actually, tomorrow is a social (aka chocolate dessert with friend) day, therefore carving will not start until Friday - but watch the chips fly then!
Aha! You thought I couldn't hear you, didn't you? You were saying, "I don't see any kento marks. She is going to have the same problems she had before - she has forgotten all about registration. Hoo, boy, she is headed for Print From Hell #2". Au contraire, mes amis! I do have a plan. It may be ill begotten, but it is a plan. We will see when the time comes. Uh oh. ;-)
(Isn't printmaking just more fun than a barrel of adolescent primates? One just never knows what's in store for one, does one?? Unless, of course, you are one of those stodgier types who have learned from experience not to experiment and do what you know works. I have yet to learn that lesson. Maybe I'm not as smart as an adolescent primate...)