Helen Frankenthaler

Last week Helen Frankenthaler's work was mentioned on the Baren Forum and it reminded me of the print I did about Ms. Frankenthaler.  It was for a Baren Exchange about someone who had been influential to your printmaking.  At the time I was heavily into her imagery and the methods she used to make her prints.  There had also been a fantastic show of her work at the Portland Art Museum.  They had the paintings she did with the print made from that image next to it.  Fantastic!

The print that I did had her work East and Beyond: 1973 which was a puzzle print, behind her.  In my work I attempted to duplicate that work by doing a small puzzle print just like hers, with the woodblock of her in the foreground.

That total image was then trimmed and adhered to a digital reproduction of her work on a ph neutral paper for that purpose.  Finally, her name was printed and the stamp with her image (also an inkjet print) attached.  That was probably the most fun I have had doing something that I had no idea what I was doing at the time, but it all turned out successfully.  The moral of the story is: Go for it! Experiment!  Have fun!  You will learn a lot and have a whale of a good time doing it!

More Greed and Lies

Finally, I have managed to take a black and white print on Somerset paper which actually shows the block much better than that wonderful, silky, draping like cloth paper with the white on white Japanese symbols. I really do love that paper - the symbols represent pine, plum and bamboo - or so it says on the label.  Did I mention that the block is 20" x 24"?  It takes a 22" x 30" sheet to do one print.  Also, I found a very elemental system to register that little green "bp" block which was burnished by hand with my trusty bamboo covered baren, so no more wasting paper by guessing where to put that little stinker.

I think this is a strong image, but of course, I have to do some more playing around with it. That will be tomorrow.  

The wonderful filmy paper I am so in love with has white on white small Japanese symbols for pine, plum and bamboo, which could serve as symbols of the many species of both flora and fauna of the gulf who are now endangered in one way or another.

I hope you can see the white on white symbols and, of course, you can see them when they are where the black ink happens to print over them.  It gives a feeling of layers and I love layers of imagery and commentary.

Next is to find the ideal way to attach a few more panels to the "bolt of fabric" - that will happen after the ink dries enough that I can handle them without smudging.

Fabric of the Gulf: Greed and Lies

Finally I am back to my other love: the woodblock.  I've had this block carved and proofed and ready to go for months, but other deadlines kept pushing it to the back of the line.  Then North Bank Gallery decided to do a Seven Deadly Sins show and I was half way there!  Where on earth was their less greed and lies than in the Gulf Oil spill of this last year?  I figured I probably had all the sins covered with this one print, almost all, anyway.

It is a little hard to tell one thing from another in these photos and, of course, I do not have a flat print - that will have to be another day.  Actually, there are two blocks on this piece - the "bp"(not shown) are printed in British Petroleum green.
I pulled about 6 prints onto a very thin and silky paper with a white on white design.  While waiting for them to dry I found a piece of melmanine composite board which I cut to the size I needed and screwed a cardboard bolt form, and some wooden reinforcement, to it. I'd forgotten how much fun it is to run the saws, drill press, sander, etc., and the resulting mess there is to clean up.
When the prints were dry enough to work with I proceeded to wrap the bolt form, first with a piece of Sommerset white paper and then around several times with the silky woodblock prints until I had a bolt of the Fabric of the Gulf.

It looks like fabric - even the feel of it gives you much more of a sense of fabric than fabric itself.  So, why didn't I just print it on fabric and have it over with?  Oh, who knows, I kind of like the idea that it is one thing representing another -- especially with the theme of the show being sin and I'm working with greed and lies.  And this paper is so thin and silky and though it is probably tougher than wine leather, it has a very fragile appearance - not unlike the gulf ecosystem.
The top of the bolt is, more or less, authentic (big lie), too – however what it says is the truth!

I'm hoping you can click on that and be able to read it - if not it says: Gulf Black Plague, 100% oil pollution, Machine wash cool, certified dispersants, lie, lie, lie.  And where the price is: $200 billion.

That about covers it - I will pull a regular, "hang on the wall" print tomorrow!

Susanna and The Voyeurs (2)

When I posted Susanna the other day I somehow neglected to send the photo which could be enlarged. I hope I've corrected that this time. Susanna has been a big hit and was sold at the First Friday Art Walk. This state was printed 11" x 17" and hand color with watercolor & color pencil. The paper is Digital Media archival with Epson Archival inks. Once again, that wide format printer has paid off, by golly.

Susanna and The Voyeurs

Susanna is a composite image (worked in Photoshop) — the forest, a group of men, and Susanna in her bath. It is based on the biblical story of beautiful young Susanna who has dismissed her servants for the day and gone out to her tub for a nice relaxing bath. Some old men take advantage of the chance to watch her and then manage to get into her bath area, accost her and demand sex. She refuses, so to punish her they accuse her of hanky-panky with her lover. But, during the trial, Daniel surfaces and cross examines the men and they have conflicting accounts. Instead of Susanna being stoned to death, the two accusing liars lose their lives for bearing false witness. The moral of the story, I'm sure, is a lofty one about truth & innocence trimphing over lies & false accusations , however I choose to believe that it is if you are going to bathe outdoors do so with a watch-dog on duty. In the biblical story the accusers are pillars of the community, well respected elders. In my version they are a group of church men who have been on some sort of religious retreat. They are more the lookie-loos, than men who would do any harm. The print is digital with watercolor and color pencil. It was printed on a wide format printer with Epson Archival inks on Digital Media paper from Daniel Smith.