Support Group, again,again

I'm hoping that the third time is a charm.  This print has been trying (and succeeding very well) to drive me crazy.  I could not  understand what it was that was nagging non-stop.  Finally, a friend said she thought that the central figure was too dark.  I looked closer and the original drawing was not dark, so I must have over-developed the plate.  Back to platemaking and a 30 second developing time and this is so much better.  It reminds me of a story another friend, who just happened to be a poet, told me years and years ago.  She said she had a friend who helped her with her poetry and the problem was always the line above or below the problem line, and never the "problem line" at all.    Right after that I was painting a portrait commission and could not get the nose right.  Finally, I redid the mouth and the nose was fine.  Such was the case with this print.  I thought it was the amount of white space that was wrong, and it was instead the darkness around the hair and face of that center figure.  Thank you to my good friend for turning me around! Another lesson learned again.  I don't know if I have time to learn every lesson over and over and over.  I would really like to get to that woodblock someday.  

I'm assuming everyone recognized these three women as the Three Graces: Aglaea (beauty), Euphrosyne (mirth), Thalia (good cheer).   This image has the central figure, Aglaea, needing her support group.  She is traditionally the grace dealing with beauty and is also the oldest, so I'm wondering if she is worried about losing her beauty because she is aging.  Maybe she is considering a face lift... or maybe not.  I'll leave it to the viewer to make up the story.

;-)

Support Group, again

I wasn't real happy with the first version of Support Group, so I've tried one with more white space.  I'm still not a hundred percent, but maybe this version will grow on me.  Suggestions are welcome - including, redraw the main image.  I'm still planning to work more with this idea in a different format  and a bit larger.  The next one will include carving and probably be mainly woodblock, since it will be part of my "recuperation project # 1".  If not wholly woodcut, then maybe the color blocks with a solarplate for the line.  As you can see, this is still rolling around in the little gray cells.

       It reminds me of the metal garden sculpture I lost last night: it was made of cut outs of leaves and was spherical.  I accidently kicked it, just the tiniest bit, and off it went, down the incline, weaving its way between the Japanese forest grass, and down between more plants - any one of which could have stopped this thing - across the flagstaff path, between two large shrubs and then it was really off and running down the embankment, between cedar and fir trees, over the vinca minor, and through the horsetails and ferns and now it is lost.  I went as far down the hill as I could with a bad knee and in Berkinstock sandals which only go ahead, not back or sideways.  The further I got down the hill and the closer to the creek the more tangled the undergrowth became, so I had no choice but to climb back up.  This is not easy when one keeps sliding out of ones shoes.  Now I'm looking for someone with a metal detector, or will wait until fall, when the lost sphere, in its rusted glory, will  probably become very obvious.  Sigh.

Vancouver's Printmakers: Pressing the Boundaries

This is a show I've been working on for a couple of years - the idea being to showcase half a dozen or so local printmakers.  Part of the idea is to introduce the printmakers and their work to a larger audience and the other part to educate the public about printmakers.  In this show we have about an even split between relief and intaglio with some monotypes thrown in to make a terrific mix.  Vancouver has been having  really good turnout for the First Friday Art Walk - we hope that will hold true even though it is a long holiday weekend. ( Hold your breath! )

There will be fish printing for adults and children going on in front of the gallery and Barbara Mason has agreed to bring the small press and demonstrate intaglio in the gallery.  With all that, lots of terrific prints,  a little wine and some good food it should be a terrific evening.  If you're in the area the date for the opening party is July 2, 5 pm - 9 pm.  Hope you can make it!

Support Group

Lately I've been putting up with a knee that has decided to join the other side.  Way back when I was knee high to a grasshopper I was in an auto accident and my knees were slammed into the dashboard of one of those old cars that had knobs that stuck out.  This was way before seat belts and air bags.  At the time the doctors told me I would probably have trouble with the knees when I got older.  Since that was about a hundred years away, give or take, I didn't give it a moments thought.  Well, guess what?  That "older" business has caught up with me.  Anyway. long story short – it is down to bone on bone and time for joint replacement.  But, that can't happen until mid-August.  Meanwhile, though, I have a fantastic support group.  Everyone needs a good one of these – they are worth their weight in gold.

So, of course, this warranted a print.  This is multiple plate intaglio and chine collé.  I'm working on another one along this same vein which will be larger and a woodcut, probably.  I think it will be my recuperation project for after the surgery.  I will get everything ready to go before I go under the knife.

While working on this group of prints, the poetry muse must have passed through the area and the next thing I knew I was up to my neck in Haiku.  I, of course, know nothing about poetry, but that has never stopped me from doing anything else, so it didn't stop me from this either.  Although, I did consult the Baren.com Poet Laureate, Bette Wappner, and sent me to a website that was very useful.  In usual form, though, the deadline was approaching and I didn't have time to really study the subject.  (Must do that in the near future.  Maybe another recuperation activity.)  This is my try at Surinomo - the Japanese prints which included poetry.

Wet Concrete Carving Workshop

This is so exciting! Barebones Art will be hosting Elder G. Jones, a pioneer in the development of wet concrete carving, for a three day workshop this July 16, 17 and 18th in luxurious, (we hope it will not still be raining) Vancouver, WA.  We will work from 10 am to 4 pm (more or less) for three days and when it is all over, besides having the time of our lives, we will have a finished piece for our home or garden, know all there is to know about the medium, plus have the tools to do the job again.

Granted, this has little or nothing - probably nothing - to do with printmaking, except that possibly you could ink and print the vessel you produce should be so inclined.  Or maybe you could squish a carved block into the wet concrete, remove the block, and carve around it?  How about pressing leaves into the wet concrete and carving around them?  I'm sure there will be lots of ideas from others and I can't wait to hear them.  Printmakers, especially, can always come up with some way to make their medium work with another.

If you are interested in joining us for the workshop please let me know at barebonesart@comcast.net or you can also go to www.sandpudding.com

I have a lovely flyer I can send to anyone who is interested, but be darned if I can figure out how to get it onto this page.  If you'd like to see it, let me know!